29 Palms
October 19th, 2008 by HiBobNext to “Big Log”, “29 Palms” is probably the one solo release that I hear everywhere–in stores, at the market, in the elevator, on TV. So we might as well talk about it some more.
Robert Plant’s way with interpreting songs doesn’t stop with other people’s songs. He’s tinkered with a few of his own with interesting effect. He manages to take a song that was good already and make it something new and different and perhaps more intriguing. During 2006 we saw “29 Palms” crop up during the Mighty Rearranger tour with it’s own rearrangement.
Here are three versions of “29 Palms” done live for your enjoyment.
The first version was performed in June, 1993 not long after its release on the “Fate of Nations” album. The song is still pretty true to form. It’s full of swagger and bravado and a sense of c’est la vie.
Thirteen years later, in March 2006, the song reemerges in France. Now it’s a slowed down noirish outpouring of moody reflection. It’s quite different from the original and casts a new, albeit darker, light on a “crazy situation”.
Add another two years and we hear yet another working of the song in May of 2008, this time with Alison Krauss. The song has taken a little sidestep this time. It’s still moody but has more of a swampy, bonhomie attitude. By adding Alison Krauss on backing vocals it becomes more of a storytelling event.
I think my favorite of the three is the Zenith interpretation. I like that dark, slowed down feel to it. Robert has a bit of a lean toward dark and moody in lyrics now and then, and I think this treatment makes “29 Palms” one of those.
Listen (click the triangle to start the player)
Parkpop
June 1993 in Holland
6.0mb mp3 5:16
Zenith
March 2006 in France with Strange Sensation
5.6mb mp3 6:08
Manchester
May 2008 in UK with Alison Krauss
7.2mb mp3 5:13
Posted in Now and Zen |
October 19th, 2008 at 5:55 pm
I think 29 Palms has evolved fantastically from its original version! It’s a great example of how Robert’s own music lends itself so well to reinterpretation. It can work with an Americana twist just as easily as a slowed down, more bluesy feel. I also think it shows how Robert is an artist interested in exploring possibilities within his own work - so many bands play their songs the same way every time for years and years. There’s no surprises. With Robert, he takes his songs and works them into the mood of the live show. I love that feeling of listening to the beginning going, “I have no idea what this is” until the words start! It’s a fantastic experience.
I would have to agree with you that my favorite version is with Strange Sensation. I love the feel of it - it’s like being in some French movie in a dark, late at night scene. I also think the stark instrumentation allows Robert’s voice to really come through.
I do like the way he did it in 1993 and I thought it was an interesting approach he and Alison took though it seemed to only be performed in a couple of shows early on which was a shame. I think it could have really developed more as did many of the other songs.
January 5th, 2009 at 2:16 pm
Robert is great singer. This song “29 palms” is nice.
These live recordings, I never found …
September 28th, 2010 at 3:52 pm
I agree with threechanter above me, I like the version with Strange Sensation -